San Diego Mesa College Creative Writing Program
An exceptional community college writing program
near the Pacific Ocean
The Creative Writing Program at San Diego Mesa College offers a Creative Writing Certificate of Performance and range of classes for transfer credit and personal enrichment including fiction, poetry, and creative nonfiction. The main program goals are personal enrichment and to prepare students for upper division writing programs by offering courses that guide the development of writing skills. In this process, we provide writing workshops, individualized critiques of students' manuscripts, craft lectures, and exercises that encourage development of students as writers.
Additionally, we offer Honors Creative Writing 249: Staff of Mesa Visions, the Mesa College Art and Literary Magazine. As students learn to write poetry, fiction, and creative non-fiction, they collectively judge writing, selected art, and design the magazine. The semester ends with a celebration of the publication, an awards ceremony, and reading of selected works.
Scott T. Starbuck, Creative Writing Coordinator and
San Diego Mesa College
7250 Mesa College Drive
San Diego, CA 92111
Bonnie ZoBell, Creative Writing Coordinator, Intermediate
Fiction Writing, Fundamentals of Fiction Writing, and Intro to Creative
Bonnie ZoBell's Web site
Scott T. Starbuck, Creative Writing Coordinator, Creative Nonfiction, Poetry, Fiction, Intro to Creative Writing, and World Literature
His newest poem is at The Monarch Review ("Thinking About AWP 2014 in Seattle"), and here is a graphic that fits it from State of Drought. In his bio he wrote, "The National Poetry Series accepting support from Exxon is like God asking Satan if he can spare some change for the cause." Two recent audio-poems are in the anthology The Burden of Light.
Regarding his writing, Starbuck was a 2013 Artsmith Fellow on Orcas Island, and a writer-in-residence at The Sitka Center for Art and Ecology. He maintains a Webpage at Poets and Writers Directory. He blogs about environmental issues, fishing, poetry, and Pacific Northwest coastal people at riverseek.blogspot.com His essay on eco-poetry writing, "The Godfather Box," is at South 85 Literary Journal run by the Converse College Low-Residency MFA Program. March 24, 2014, the 175th anniversary of the end of the Trail of Tears, he was interviewed by poet Miriam Sagan for her blog Miriam's Well: Poetry, Land Art, and Beyond.
His previous poetry book, River Walker, a collection of Pacific Northwest fishing poems, was published in October 2012 by Mountains and Rivers Press (donated to the San Diego Public Library, and the San Diego Mesa College Library). His activist chapbook, The Other History, or unreported and underreported issues, scenes, and events of the 19th, 20th, and 21st Centuries, was published in October 2013 by FutureCycle Press, and was also donated. His anti-nuclear clay-poem “Napali” appeared in the Washington and Oregon chapters of Physicians for Social Responsibility (PSR) Particles on the Wall Exhibit in Portland, Oregon (May and June 2013) about the “lasting impacts of the Hanford Nuclear Reservation and the nuclear age."
His claywork is at The Trumpeter Journal of Ecosophy, Untitled Country Review (cover art called Steelhead Harp) (plus 2, 3, 4), and was shown at The Spirit of the Salmon Fund for the Columbia River Inter-Tribal Fish Commission, Columbia River Gallery, Solstice, The Gresham Arts Gallery, The Clackamas County Arts Alliance, and White Wolf Sanctuary.
His creative nonfiction essays appeared in the Sunday Oregonian, The Raven Chronicles, California Prose Directory, Drunken Boat, Front Range (formerly MO: Writings from the River), The Trumpeter Journal of Ecosophy, and The Owen Wister Review at The University of Wyoming. Part of his essay "Wild Salmon" in The Trumpeter Journal of Ecosophy is being reprinted in Being: What Makes a Man anthology forthcoming in 2014 from the University of Nebraska Gender Programs.
Starbuck's recent poems have appeared in Scythe, From the Depths, Amsterdam Quarterly, The Moon Magazine, rfishc.com, Typehouse Literary Magazine, South 85, Elohi Gadugi, Shark Reef, Cascadia Review, OccuPoetry, Work Literary Magazine, In Other Words: Merida, Otis Nebula, Untitled Country Review Issue 6, cur.ren.cy, Blue Lotus Review, Pemmican, The Oregonian, Heart Journal Online, Western Press Books’ Eccentricities of Geography, Two Thirds North (Stockholm University), Cream City Review's theme issue, "Dispatches from the Front: Labor and the Fight For Worker’s Rights," The Los Angeles Review, Flycatcher: A Journal of Native Imagination,Unnatural Acts: Crimes Against Mother Nature Art Show at the Milepost 5 Gallery, North Coast Squid, Spillway's theme issue, "Nature Red in Tooth and Claw," and A Ritual to Read Together: Poems in Conversation with William Stafford (Anthology).
He has work forthcoming in Turtle Island Quarterly, Cobra Lily, Bukowski on Wry, Southwestern American Literature, Teaching English in the Two-Year College (TETYC) Special Issue on Creative Writing, Split Rock Review, Cascadia Review, Tidal Basin Review's 2084 Theme Issue, the June 2014 issue of Amsterdam Quarterly on "earth, ecology and the future" (which will also have a book review of his actvist chapbook The Other History . . .), Marybeth Holleman's Art and Nature Blog, Centrifugal Eye, CSHS Quarterly, San Francisco Peace and Hope, and The Release.
In addition to serving as Creative Writing Coordinator, Starbuck is the World Literature Coordinator. He said World Literature, Creative Nonfiction, Fiction, and Poetry Seminar are his favorite classes to teach as a Professor of English at San Diego Mesa College. He currently lives on Whidbey Island and in San Diego, and returns to the Pacific Northwest when he can.
Ron Israel, Intermediate Fiction Writing, Fundamentals of Fiction Writing, and Intro to Creative Writing, American Literature
If I’ve learned anything in life, it’s that destinations are far less important than journeys. This moment on this path is what matters most.
For those seeking the typical background information: I joined the Mesa College English department in the Spring of 1997, after spending the previous six years as an adjunct instructor, teaching throughout San Diego County. At Mesa, I have taught composition, creative writing, and American Literature. Most of my current teaching load consists of humanities courses, though I continue to teach at least one English course each semester, including creative writing, American Lit, and Honors English 101, which is offered every fall semester. I earned a B.A. in psychology from the University of Arizona and a Master of Arts degree in English from San Diego State University. I am in final stages of completing a Master of Arts degree in humanities from CSU, Dominguez Hills.
Pianta, Poetry, Intro to Creative Writing
Originally from Hawai’i, Pianta lives in San Diego but still considers Hilo home. She has a Master’s degree in English as a Second Language and a Bachelor’s degree in English. She’s studied with a range of writers such as James Wright, Galway Kinnell, Diane Wakoski, Oakley Hall and others. Her poems have appeared in Ekphrasis, Terrain.org, Bamboo Ridge Press, Bloodlotus, Istanbul Literary Review, Pyrta Journal, Cirque, Yuan Yang: Journal of Hong Kong and International Writing, and others. She also experiments with incorporating poetry with music, dance, stage, and film.
Christie Allred, Poetry, Intro to Creative Writing
Christie Allred, a native of San Diego, has been teaching at Mesa College since 1995. She earned her MA in English with a Creative Writing Certificate from San Diego State University. She also has a MS in Educational Technology. In her free time, she likes to play with her two sons and her dog and has recently rediscovered the joy of Leggos!
Joe Safdie, Poetry, Intro to Creative Writing, Creative Nonfiction, British Literature
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